These silvatos were shaped like small human figurines and were hollow with holes in front and in the back. A hole in the top of the head served as the blowhole for the whistle. These whistles were similar in tone and sound to ocarinas.
Unlike an ocarina, each silvato produced a distinct harmonic sound that was rich in tone. Upon examining a broken silvato, archaeologists found the source of the harmonic tone. Inside were two spherically configured, partially enclosed resonance compartments, each connected to a sound hole. When the whistle was blown, the air exiting the sound holes stimulated vibrations from the resonance compartments. This overall effect produced a fuller tone than that of whistles without this ingenious feature. Pino Turolla, author of Beyond the Andes: My Search for the Origins of Pre-Inca Civilization, stated about the silvatos, “What incredible technical mastery these people had; their expertise embraced even acoustics.”
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